BmoreArt's Picks: January 7-13

Previous Story
Article Image

Art AND: Monica Ikegwu

Next Story
Article Image

News Briefs: A New Bromo Arts District Director, [...]

This week: An Artist’s Evolution: Shinique Smith in Conversation with Cara Ober at the Pratt, Renovations opens at Carroll Mansion, Breathing Room: Bound and Loose performance by Shinique Smith at the BMA, We Are One: Ernest Shaw, Jerry Prettyman, Monica Ikegwu, Latoya Hobbs, Mark Fleuridor gallery talk at Creative Alliance, Joan Cox: Frauenhaus artist talk + closing reception at Catalyst Contemporary, and the opening reception for Winter Workshop Show at Ink Spot Press.
Image result for gif
BmoreArt’s Picks presents the best weekly art openings, events, and performances happening in Baltimore and surrounding areas. For a more comprehensive perspective, check the BmoreArt Calendar page, which includes ongoing exhibits and performances, and is updated on a daily basis.
To submit your calendar event, email us at!

An Artist’s Evolution: Shinique Smith in Conversation with Cara Ober
** rescheduled ** Thursday, January 9th • 7-8pm

Enoch Pratt Free Library
400 Cathedral Street : 21201

Join us for a conversation between creatives about Shinique Smith’s practice, and how growing up in Baltimore influenced her path as an artist. Shinique Smith is known for her monumental works of bundled fabric, calligraphy and collage inspired by the vast nature of ‘things’ that we consume and discard, which resonate on a spiritual and social scale. Her work demonstrates how connections can be made between materials in ways that challenge us to think differently about the life of our belongings.
Based in Los Angeles, born and raised in Baltimore, Shinique Smith is an artist known for her monumental paintings and sculptures of  fabric, clothing, and calligraphy inspired by the wonder found within the vast nature of “things” we call belongings. Recent solo exhibitions include the California African American Museum, Museum of Fine Art, Boston; and an upcoming presentation with UBS Art Collection in Miami Art Basel and the UBS Art Gallery, NY. Her work is currently on view in Generations: A History of Black Abstraction at The Baltimore Museum of Art where Shinique will be presenting a new performance January 11th 2020.
Cara Ober writes about Baltimore’s unique cultural landscape from the perspective of an artist, feminist, and culture worker. She approaches the art community from a constructive and critical perspective informed by material and pop culture, history, social movements, and politics. As the founding editor of BmoreArt, Baltimore’s daily online art magazine and biannual print journal, Ober has written critical reviews, essays, interviews, and opinion editorials for the past decade about contemporary art, museum culture, and the innovative ways artists sustain a professional creative practice. Ober has taught and lectured at MICA, Johns Hopkins University, American University, UMBC, Towson University, and Goucher College. She holds an MFA in painting from MICA and a degree in fine arts from American University.
BmoreArt is Baltimore’s art and culture magazine, based both in print and online. We are a community-based, independent art publication that reflects the culture of Baltimore and the surrounding Mid-Atlantic region, including Maryland, Washington, DC, and Northern Virginia. We provide creative and critical coverage of Baltimore’s cultural landscape and work with a diverse team of local writers, editors, and artists. In addition to our online and print publications, we engage through social media and a events, including biannual magazine launch events and speaker series.
No registration required. Seating is first come, first serve. Please note that marking interest does not reserve a seat. Parking is free on Park Avenue and Cathedral Street after 6pm. Parking is $5 in the Franklin Street Garage after 5pm.
Re-opening activities are made possible in part by a generous gift from Sandra R. Berman. This program is part of ongoing 2020 Women’s Vote Centennial Initiative conversations at the Pratt Library.

Renovations | Exhibition Opening

Friday, January 10th • 8pm

Carroll Mansion
800 East Lombard Street : 21202

Renovations: A Story of Edifice and Ecclesiastical Influences on 19th-Century African American Education
Exhibition opening: January 10, 6:00-8:30pm
In this immersive exhibition, strikeWare Collective weaves traditional and new media to present a visual experience about the institutions, educators and progenitors who shaped how Baltimore’s Black community acquired formal training and knowledge.
The exhibition examines Black education in Baltimore from the essential role of churches such as Bethel AME in the antebellum era to the first public schools available to Black students after the Civil War. RENOVATIONS uses the Peale Center building, known historically as “Male and Female Colored School Number 1” to begin to look at the Black experience in Baltimore throughout history. In addition to a critical examination of historical and contemporary segregation in Baltimore City public schools, the show tracks the nine students who graduated from School Number 1 in 1889 – Baltimore’s first all-Black high school graduating class.

Breathing Room: Bound and Loose | Performance
Saturday, January 11th • 11am + 7pm

Baltimore Museum of Art
10 Art Museum Drive : 21218

Image: Shinique Smith, Breathing Room, 2018. Performance still from Kansas City Open Spaces. Courtesy of Shinique Smith Studio. Photo by Graham Carroll.

Swaths of deep blue fabric—dyed, bleached, and embedded with words and symbols by Shinique Smith—surround and envelop the artist (Baltimore, MD, b. 1971) during  Breathing Room: Bound and Loose. For the meditative performance, Smith rhythmically inhales and exhales while wrapping herself in the indigo fabric. On the significance of indigo, she explains: “With roots in Ancient Peru, India, Japan and Africa, Indigo was once used as currency and was also a significant cash crop alongside cotton and tobacco during the slave trade. Indigo was considered in many cultures to represent the path to the  infinite and bring one closer to the sky, a color and history that continues to inspire.”
Once the artist is bound beyond movement, Smith describes that she enters “a deep meditative state with the desire to release and transform a shared cultural experience of toil and bondage into a freed creative power for all who witness and participate as I am unraveled, and my bindings are loosened.” Smith seeks to expand her inner voice and commune with her ancestors through these actions and invites audience members to breathe in rhythm with her to create a shared tapestry of empowering sound.
This performance is part of Generations: A History of Black Abstract Art, on view now. The performance environment is on view Thursday, January 9 through Sunday, January 12.

We Are One: Ernest Shaw, Jerry Prettyman, Monica Ikegwu, Latoya Hobbs, Mark Fleuridor | Gallery Talk
Saturday, January 11th • 1-3pm

Creative Alliance
3134 Eastern Avenue : 21224

On view: DEC 14 – JAN 18 

Gallery Talk: SAT JAN 11 | 1-3PM | FREE

This exhibition serves as a cross-generational conversation among Black artists working in Baltimore, exploring the complexity of these artists, their interests, passions, and what is currently driving the subject matters of their current practices.

Joan Cox: Frauenhaus | Artist Talk + Closing Reception
Saturday, January 11th • 4-5pm

Catalyst Contemporary
523 North Charles Street : 21201

Join us Saturday, January 11, 2020, from 4-5PM for a moderated artist talk for Frauenhaus, an exhibition showcasing the work of Baltimore painter, Joan Cox. Cox’s vibrant, textural, and richly painted works validate the presence of dynamic, complex, sensual, sexual and loving relationships between women, giving warrant to their permissibility.
The event will be moderated by Ann Shafer, an independent curator, art historian, and writer. Shafer, who spent a decade as Associate Curator of Prints, Drawings, and Photographs at the Baltimore Museum of Art, curated a variety of exhibitions in her tenure, including On the Mark: Contemporary Works on Paper in 2010, the annual Baker Artist Awards Exhibition in 2011 and 2012, Front Room: An-My Lê in 2013, On Paper: Spin, Crinkle, Pluck and On Paper: Alternate Realities in 2015, among others. She also organized the museum’s Baltimore Contemporary Print Fair in 2012, 2015, and 2017. Shafer has also worked at the Whitney Museum of American Art, the Williams College Museum of Art, and the National Gallery of Art.
Catalyst will be open from 2-6pm. Parking can be found along Charles Street or in lots on Franklin, Charles and St Paul.  The exhibition has been extended through Saturday, January 18, 2020.
About the Exhibition:
The selections featured in the show highlight narrative portraits of lesbian relationships and references their lack of presence in Western art history even though visibility and accessibility of the community has increased. Cox’s entrancing portraits, a mixture of large scale oil paintings and unique watercolor monotypes, with some rendered painstakingly realistic and others drifting towards the abstract, delivers her characters as archetypes of women as domestic partners. Featured in Cox’s solo show is new installation work, which moves beyond the plane of the canvas and into a three dimensional consideration of motherhood in same sex couples.

WINTER WORKSHOP SHOW | Opening Reception
Sunday, January 12th • 3-5pm

Ink Spot Press
943 North Charles Street : 21202

January 12 – March 8, 2020

Come and see what the talented printmakers of Ink Spot Press have come up with lately. At Ink Spot Press we specialize in etching and other intaglio printing, but we are continually experimenting with relief printing, collograph, and monotype as well. Meet the artists and ask them about their process. All works are for sale, and prints are a good option for the collector who is on a budget!
Artists include:
Visitors to the show will be able to tour the print workshop and Raoul Middleman’s studio. Questions or more information: call Ruth at 443-798-1167

header image: Shinique SmithSky Cloth, 2018. + The Watcher (moon marked she walks in starlight)2018.
Shinique Smith: Refuge at the California African American Museum. Photos by Brian Forrest and courtesy the artist and David Castillo Gallery, Miami.

Related Stories

This Week: Chul Hyun Ahn opening reception at C. Grimaldis Gallery, Schroeder Cherry opening reception at The Gallery at Baltimore City Hall, Larry Cook artist's talk + closing at Galerie Myrtis, ...

This week: Amalie R. Rothschild: Rock Icons and Images reception at Goya Contemporary, Reading and Discussion with Kondwani Fidel at the Walters, Black Femme Supremacy Film Festival Taste Test 2020 ...

The significance of national foundations purchasing the photo archives of Ebony and Jet Magazines for museums

Last summer, four foundations—Ford, Mellon, MacArthur, and the J. Paul Getty Trust—purchased the Johnson Publishing Company’s photo archives for $30 million.

Emily Breiter heads Bromo Arts District, Jessica Solomon named VP at Deutsch Foundation, BMA expands contemporary curatorial department, and more

News briefs are compiled by BmoreArt staff to report on ongoing art news announcements in the region.